This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes.

Part I Introduction.- Chap. 1 What the Book Is About.- Chap. 2 Oniontology.- Part II Practice.- Chap. 3 The Tutorial.- Chap. 4 Leitfaden.- Chap. 5 The General Method of Creativity.- Chap. 6 Getting off the Ground.- Chap. 7 Motivational Aspects.- Chap. 8 Rhythmical Aspects.- Chap. 9 The Pitch Aspect.- Chap. 10 The Harmonic Aspect.- Chap. 11 Melodic Aspects.- Chap. 12 The Contrapuntal Aspect.- Chap. 13 Instrumental Aspects.- Chap. 14 Large Form Aspects.- Chap. 15 Community Aspects.- Chap. 16 Commercial Aspects.- Chap. 17 Dodecaphonic Aspects.- Part III Theory.- Chap. 18 Principles of Creative Pedagogy.- Chap. 19 Material.- Chap. 20 Historical Principles.- Chap. 21 Present Principles.- Chap. 22 Our Principles.- Chap. 23 First Examples.- Chap. 24 Psychological Perspectives.- Chap. 25 Software.- Chap. 26 Composition and Improvisation.- Part IV Case Studies.- Chap. 27 Ludwig van Beethoven's Op109: Six Variations.- Chap. 28 Beethoven's Op109: Improvisational Aspects.- Chap. 29 Our CD.- Chap.30 Boulez: Structures Recomposed.- Chap. 31 The Escher Theorem.- Part V Future Perspectives.- Chap. 32 Is There a General Scheme for Creativity?.- Chap. 33 The Balanced Dancing Performer .- References.- Bibliography.