Gender, Otherness, and Culture in Medieval and Early Modern Art
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ISBN-13:
9783319650487
Veröffentl:
2017
Einband:
HC runder Rücken kaschiert
Erscheinungsdatum:
14.12.2017
Seiten:
264
Autor:
Michelle Moseley-Christian
Gewicht:
458 g
Format:
216x153x19 mm
Serie:
The New Middle Ages
Sprache:
Englisch
Beschreibung:
This collection examines gender and Otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts¿s Justice of Otto III, Albrecht Dürer¿s Feast of the Rose Garland, Rembrandt van Rijn¿s Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others.
Analyzes a wide variety of medieval and early-modern media, including manuscripts, prints, paintings, metalwork, textiles and funerary sculpture
1 Introduction .- "Aspectu Desiderabilis": A Thirteenth Century Reliquary of David with the Face of Medusa.- Picturing Maternal Anxiety in the Miracle of the Jew of Bourges.- Gender and Poverty in Late Medieval Art.- Forms of Gendered Testimony in Dieric Bouts's Justice of Otto III.- "In Love and Faithfulness Toward One Another Like Brothers." Dürer's Feast of the Rose Garland and the Scuola dei Tedeschi as Strategies for Mediating Masculine Identity.- "The monster, death, becomes pregnant": Female Transi Tombs from Renaissance France.- Embodying Gluttony as Women's Wildness: Rembrandt's Naked Woman Seated on a Mound.
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