This book explains neoliberalism as a phenomenon of the capitalist world-system. Many writers focus on the cultural or ideological symptoms of neoliberalism only when they are experienced in Europe and America. This collection seeks to restore globalized capitalism as the primary object of critique and to distinguish between neoliberal ideology and processes of neoliberalization. It explores the ways in which cultural studies can teach us about aspects of neoliberalism that economics and political journalism cannot or have not: the particular affects, subjectivities, bodily dispositions, socio-ecological relations, genres, forms of understanding, and modes of political resistance that register neoliberalism. Using a world-systems perspective for cultural studies, the essays in this collection examine cultural productions from across the neoliberal world-system, bringing together works that might have in the past been separated into postcolonial studies and Anglo-American Studies.

1. World-Culture and the Neoliberal World-System: An Introduction; Sharae Deckard and Stephen Shapiro.- 2. The Long 1970s: Neoliberalism, Narrative Form, and Hegemonic Crisis in the work of Marlon James and Paulo Lins; Michael Niblett.- 3. From "Section 936" to "Junk": Neoliberalism, Ecology and Puerto Rican Literature; Kerstin Oloff.- 4. Mont Neoliberal Periodization: The Mexican "Democratic Transition," from Austrian Libertarianism to the "War on Drugs"; Ignacio M. Sánchez Prado.- 5. Cricket's Neoliberal Narratives: Or the World of Competitive Accumulation and Sporting Spirit in Contemporary Cricket Fiction; Claire Westall.- 6. Keeping it Real: Literary Impersonality under Neoliberalism; Daniel Hartley.- 7. The Cultural Regulation of Neoliberal Capitalism; Mathias Nilges.- 8. Jayne Anne Phillips, Lark and Termite: Monetised War, Militarised Money-a Narrative Poetics for the Closing of an American Century; Richard Godden.- 9. A Bubble in the Vein: Suicide, Community and the Rejection of Neoliberalism in Hanya Yanagihara's A Little Life and Miriam Toews's All My Puny Sorrows; Amy Rushton.- 10. Futures, Inc.: Fiction and Intellectual Property in the (South) African Renaissance; Matthew Eatough.- 11. Trains, Stone and Energetics: African Resource Culture and the Neoliberal World-Ecology; Sharae Deckard.