Theatre and Cultural Struggle under Apartheid

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A pioneering study of South African theatre under Apartheid, exploring the ways in which the stage became an arena for the battle against oppression.
Preface

Introduction

1. Cultural and Social Relations in South Africa before 1976

2. The Struggle for Social Hegemony

3. Alternative Hegemony in the Making

4. The Develolpment of Theatre in South Africa up to 1976

5. 'No-Man's Land' - Fugard, and the Black Intellectuals

6. 'A Tremendously Exciting Inter-Racial Enterprise'

7. 'A Deep Insight into the Loves and Hates of Our People'

8. 'A Dialogue of Confrontation'

9. Conclusion: 'The Future in Their Hands'

Notes

Bibliography
A pioneering study of South African theatre under Apartheid, exploring the ways in which the stage became an arena for the battle against oppression.
Autor: Robert Mshengu Kavanagh
Robert Mshengu Kavanagh played an active part in the development of South African theatre in the 1970s through his participation in Experimental Theatre Workshop '71 in Johannesburg, and as founding editor of S'ketsh' , a magazine covering black and non-segregated theatre in South Africa. After leaving the country in 1976, he did his doctorate at Leeds University and then played a leading role in founding theatre arts departments at Addis Ababa University and the University of Zimbabwe. In 2012 he was awarded the Ibsen Prize for a project on negotiating Ibsen in Southern Africa. He has lived in Zimbabwe since 1984.
Ian Steadman, former professor and Chair of Dramatic Art at the University of the Witwatersrand, author of numerous essays on South African theatre during the 1980s and 1990s, and founding co-editor of the South African Theatre Journal , is retired and lives in Oxford, UK.

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Autor: Robert Mshengu Kavanagh
ISBN-13 :: 9781786990716
ISBN: 1786990717
Erscheinungsjahr: 15.06.2017
Verlag: Zed Books Ltd
Gewicht: 422g
Seiten: 264
Sprache: Englisch
Auflage New Edition
Sonstiges: Buch, 148x225x19 mm, Bibliography; Index; Figures; Tables, black and white
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