Explores the significance of postwar German representations of violence in other places and times.

List of IllustrationsAcknowledgmentsIntroduction - Clare Bielby and Mererid Puw Davies1, Projecting Violence Elsewhere: Remembering Conflict-Related Sexual Violence in Cold War Germany - Katherine Stone2. Watching Violence Elsewhere: Louis Malle's Viva Maria! in 1960s West Germany - Mererid Puw Davies3. Images as Weapons: DEFA, Studio H&S, and the Global Cold War - Seán Allan4. KriegsErklärung (Declaration of War): Volker Braun's Cold War Camera - J. J. Long5. The Vietnam Veteran in Anna Seghers's Steinzeit (Stone Age, 1975) - Ernest Schonfield6. "So It Has to Be Said: Hammer and Sickle Here, Hammer and Sickle There": Heynowski-Scheumann's Die Angkar (1981) and the Problem of Khmer Rouge Violence for the GDR - Martin Brady7. Narrating Violent Agency Elsewhere in Inge Viett's Nie war ich furchtloser (Never Was I More Fearless, 1996) - Clare Bielby8. Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11" - Katharina Karcher and Evelien GeertsSelected BibliographyNotes on the ContributorsIndex