A new critical assessment of the works of the Austrian-Jewish author, in whom there has been a recent resurgence of interest, from the perspective of world literature.

IntroductionA Stefan Zweig Revival? - Birger VanwesenbeeckStefan Zweig's Drama Jeremias in Context - John Warren"That Voice in the Darkness!": Technologies of the Tropical Talking Cure in Stefan Zweig's Der Amokläufer and Verwirrung der Gefühle - Geoffrey Winthrop-YoungNarrating Alterity: Stefan Zweig, Emmanuel Levinas, and the Trauma of Redemption - Robert Weldon WhalenStefan Zweig and the Concept of World Literature - Mark H. GelberLandscape, "Heimat," and Artistic Production: Stefan Zweig's Introduction to E. M. Lilien: Sein Werk - Richard V. BensonStefan Zweig's Non-fictional Prose in Exile: Mastery of the European Genre of "Kunstprosa" - Klaus WeissenbergerThe Writer's Political Obligations in Exile: The Case of Stefan Zweig - Robert KelzTrue to Himself: Stefan Zweig's Visit to Argentina in September 1936 - Darien J. DavisExile and Liminality in "A Land of the Future": Charlotte and Stefan Zweig in Brazil, August 1941-March 1942 - Marlen EcklStefan Zweig's Concept of Brazil in the Context of German-Jewish Emigration - Klemens RenoldnerStefan Zweig: Life in Cities of Exile - Jeffrey B. BerlinNotes on the ContributorsIndex