A biographical history of Aleister Crowley's activities in Berlin from 1930 to 1932 as Hitler was rising to power • Examines Crowley's focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders • Explores Crowley's relationships with Berlin's artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley • Recounts the fates of Crowley's friends and colleagues under the Nazis as well as what happened to Crowley's lost art exhibition Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion "Thelema," he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as "The Beast," Crowley saw the closing lights of Berlin's artistic renaissance of the Weimar period when Berlin played host to many of the world's most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley's years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley's colleagues under the Nazis as well as what happened to Crowley's lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents "the Beast" anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.

Foreword: Degenerate Berlin by Frank van Lamoen Assistant Curator, Stedelijk Museum, AmsterdamAcknowledgments Dramatis Personae -- WHO'S WHO IN THE BEAST IN BERLIN ONE -- SCOOP! TWO -- Selling Aleister Crowley THREE -- The New Age in Germany Theosophy in GermanyAleister Crowley Meets the German New AgeFOUR -- Karl Germer and the Weida Conference Arrival at HohenleubenKarl GermerThelema VerlagDr. PeithmannReturn to HohenleubenFIVE -- Cosmopolis--City of the Future SIX -- Good-Bye to All That Hello Again to All ThatSEVEN -- Kings in Exile Are Always Beggars The Stunt Hits the FanEIGHT-- Quantum Magus "Nick" Carter and the Case of the Reappearing WifeNINE -- An Old Master Modern Art in BerlinThe Artist in the BeastTEN -- Hanni Jaeger, Save Our Souls ELEVEN -- Thoroughly Modern MagusThe Ninth Degree (IX°)TWELVE -- The Last Summer of Freedom BlunderstormFlechtheimWerner Alvo Konstantin August von AlvenslebenTHIRTEEN -- Toward the Exhibition The World from BelowMarcellus and Margo SchifferFOURTEEN -- Porza! Mali and IgelFIFTEEN -- Hope of Harvest The Great Crowley Movie ConnectionSIXTEEN -- Spying Ethel ManninSEVENTEEN -- Last OrdersJean RossDiscovery of the NeutronEIGHTEEN -- Lost TimeLost PaintingsNINETEEN -- Lost People Before Hitler Was, I AmTWENTY -- Rebirth--The Spirit Can Return Notes Bibliography Index