Beschreibung:
Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
IntroductionCommencements and ContextsOn the Reception of Schubert's Self-QuotationsTwo Scores and Their Musical RelationshipsParents and Children: On the Background to "Ave Maria"From "Ave Maria" to Trio"Dedicated to nobody, save those who find pleasure in it."Contexts and Conclusions