American soprano Bethany Beardslee rose to prominence in the postwar years, when the modernist sensibilities of European artists and thinkers were flooding American shores and challenging classical music audiences. With her lightlyric voice, her musical intuition, and her fearless dedication to new music, Beardslee became the go-to girl for twelve-tone music in New York City. She was the first American singer to build a repertoire performing the music ofArnold Schoenberg, Anton Webern, Alban Berg, Milton Babbitt, and Pierre Boulez, making a vibrant career singing difficult music. I Sang the Unsingable is an autobiographical account of the acclaimed twentieth-century art song soprano. In her memoir, Beardslee tells the story of how she made her way from an inauspicious depression-era East Lansing to Carnegie Hall, and how her unique combination of musical gifts and training were alchemy for challenging mid-century music. This is Beardslee's own perspective on a formidable catalogue of premieres, a forty-six-year long career, and a deep and lifelong dedication to performing the work of the composers of our time. BR> Born in 1925 in Lansing, Michigan, Bethany Beardslee is an American soprano particularly noted for her collaborations with major twentieth-century composers. Minna Zallman Proctor is an editor and essayist. Her book and art criticism has been published in BookForum, BOMB, The Nation, Aperture, NPR.org, American Scholar, The New York Times Book Review, and Salon. She teaches in the Creative Writing Program at Fairleigh Dickinson University and is editor of The Literary Review.

Part One: Childhood (1925--50)Christmas 1925The Great DepressionEast LansingCollege YearsLessons with J. Herbert SwansonFatherNew York, Here I ComePart Two: The Monod Era (1948-55)JuilliardThe Monod Era, 1949Work with JacquesFarewell, JuilliardParis and the Monod FamilyHome AgainNew Music in New York City"All the Right People"The Duo: Recital Tours for the Association of American Colleges and UniversitiesFifty-Nine New Pieces of Music1955 and Pierrot lunaire: A Tumultuous YearCamera Concerts with Stanley SeegerPart Three: Godfrey (1956-62)A Season of Change: Summer 1956Godfrey WinhamLondonNew York Pro Musica: 1958The Fromm Music FoundationEarl Kim and Russell ShermanWorking with Martha GrahamThreni and the Altenberg LiederPrinceton and SaskatoonThe Russian DelegationRecordings with Robert CraftTo Prove My LoveBaird and Christopher Winham: Life in PrincetonDas Buch der hängenden Gärten: Opus 15 by Arnold SchoenbergPart Four: New Music (1963-75)Vision and Prayer, or, My First Adventure with Electronic MusicCamelot Years: 1962Le marteau sans maîtreThe SixtiesPhilomel: 1964A Composer's SingerDarmstadt: 1964Aaron Copland, Imeneo, and Max: 1965Belle MeadGodfrey and the ComputerMarlboro and Penderecki: 1967-68Old Friends and New PiecesErwartungHow Things Wind Down: 1973GodfreyPart Five: Farewell and FarewellRemembering MiltonAftermathSinging AgainLieder with Richard Goode: 1980-90Pierrot Records: New VenturesEncore with Robert HelpsFarewell and FarewellAppendix A: DiscographyAppendix B: Premieres by Bethany BeardsleeNotesBibliographyIndex