Presenting a range of ethnographic case studies from around the globe, this edited collection offers new ways of thinking about the interconnectivity of gender, place, and emotion in musical performance.

Introduction: Musical Intersections, Embodiments, and Emplacements - Fiona Magowan and Louise WrazenEngendering Emotion and the Environment in Vietnamese Music and Ritual - Barley NortonGendering Emotional Connections to the Balinese Landscape: Exploring Children's Roles in a Barong Performance - Jonathan McIntoshPerforming Emotion, Embodying Country in Australian Aboriginal Ritual - Fiona MagowanChristian Choral Singing in Aboriginal Australia: Gendered Absence, Emotion, and Place - Muriel Swijghuisen ReigersbergTransforming the Singing Body: Exploring Musical Narratives of Gender and Place in East Bavaria - Sara R. Walmsley-PledlA Place of Her Own: Gendered Singing in Poland's Tatras - Louise WrazenSinging the Contentions of Place: Korean Singers of the Heart and Soul of Japan - Christine Yano"In Our Foremothers' Arms": Goddesses, Feminism, and the Politics of Emotion in Sámi Songs - Tina K. RamnarineAfterword - Beverley DiamondSelected BibliographyList of ContributorsIndex