Beschreibung:
The first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, combining sketch studies, musicological context, and straightforward analyses of all three movements.
IntroductionContext and CompositionConcerto as CatalystAnalytical Tools and Recurring ElementsCounterpoint and Tonality in the First MovementTetrachords and Tritones in the LargoPoints of Imitation in the FinaleConclusionAppendixNotesBibliographyIndex