New essays on the acclaimed Australian Indigenous author's entire body of work, including his novels, short stories, poetry, and his work with Indigenous language and health.

Foreword - Jeanine LeaneAcknowledgmentsNote on OrthographyChronology of Key WritingsIntroduction - Belinda WheelerKim Scott's Publishing History in Three Contexts: Australian Aboriginal, National, and International - Per HenningsgaardKim Scott's True Country as Aboriginal Bildungsroman - Brenda MachoskyThe Land Holds All Things: Kim Scott's Benang- A Guide to Postcolonial Spatiality - Lisa SlaterKim Scott's Kayang and Me: Noongar Identity and Evidence of Connection to Country - Christine Choo"Wreck/Con/Silly/Nation": Mimicry, Strategic Essentialism, and the "Friendly Frontier" in Kim Scott's That Deadman Dance - Arindam DasThe International Reception of Kim Scott's Works: A Case Study Featuring Benang - Gillian WhitlockThe International Reception of Kim Scott's Works: A Case Study Featuring Benang - Roger OsborneTraumatic Landscapes: Inscribing Spectrality and Identity in Kim Scott's "A Refreshing Sleep," "Capture," and "An Intimate Act" - Lydia Saleh RofailSpatial Poetics and the Uses of Ekphrasis in Kim Scott's "Into the Light" and Other Stories - Nathanael PreeThe Poetry of Kim Scott - Tony Hughes-d'AethThe Wirlomin Project and Kim Scott: Empowering Regional Narratives in a Globalized World of Literature - Natalie QuinlivanKim Scott as Boundary Rider: Exploring Possibilities and New Frontiers in Aboriginal Health - Rosalie ThackrahKim Scott as Boundary Rider: Exploring Possibilities and New Frontiers in Aboriginal Health - Sandra ThompsonAn Interview with Kim Scott - Belinda WheelerNotes on the ContributorsIndex