Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century.Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance,mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfillment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpineenvironment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers,and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Höbusch, Dan Hooley, Peter Höyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Türk, Sabine Wilke, Wilfried Wilms. SEAN IRETON is Associate Professor of German at the University of Missouri. CAROLINE SCHAUMANN is Professor of German Studies at Emory University.

Introduction: The Meaning of Mountains: Geology, History, Culture - Sean Ireton and Caroline SchaumannPrelude: Classical Mountain Landscapes and the Language of Ascent - Dan HooleyTerra Incognita? Mountains in Medieval and Early Modern German Literature - Albrecht ClassenFrom Meadows to Mountaintops: Albrecht von Haller's"Die Alpen" - Caroline SchaumannGeo-Poetics: The Alpine Sublime in Art and Literature, 1779-1860 - Anthony OzturkTime and Narrative in the Mountain Sublime around 1800 - Sean FranzelFaust's Mountains: An Ecocritical Reading of Goethe's Tragedy and Science - Heather I. SullivanSpectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia - Sabine WilkeFascinating Voids: Alexander von Humboldt and the Myth of Chimborazo - Oliver LubrichFrom Eros to Thanatos: Hiking and Spelunking in Ludwig Tieck's Der Runenberg - Peter ArndsGeology, Mountaineering, and Self-Formation in Adalbert Stifter's Der Nachsommer - Sean Ireton"An Apparition from Another World" -- The Mountains of the Moon and Kilimanjaro from the Perspective of Nineteenth-Century Germany - Christof HammanLeaving the Summit Behind: Tracking Biographical and Philosophical Pathways in Richard Strauss's Eine Alpensinfonie - Peter HöyngElevation and Insight: Thomas Mann's Der Zauberberg - Johannes Turk"The Essence of the Alpine World Is Struggle": Strategies of Gesundung in Arnold Fanck's Early Mountain Films - Wilfried Wilms PhD"Mountain of Destiny": The Filmic Legacy of Nanga Parbat - Harald HoebuschSpatial Orientation and Embodied Transcendence in Werner Herzog's Mountain Climbing Films - Roger F. CookW. G. Sebald's Magic Mountains - Scott DenhamConflicting Ascents: Inscriptions, Cartographies, andDisappearance in Christoph Ransmayr's Der fliegende Berg - Olaf BerwaldWorks CitedNotes on the ContributorsIndex