Martin Cloonan teaches Popular Music Culture at the University of Glasgow and is the author of Banned! Censorship of Popular Music in Britain, 1967-1992.Reebee Garofalo is Professor at the College of Public and Community Service and is affiliated with the American Studies Program at the University of Massachusetts, Boston; his most recent book is Rockin' Out: Popular Music in the USA.Contributors: Alenka Barber-Kersovan, Vanessa Bastian, Paul D. Fischer, Jeroen de Kloet, Michael Drewett, Steve Greenfield, Mike Jones, Keith Kahn-Harris, Dave Laing, Guy Osborn, David Parvo, Jos¿oberto Zan, and the editors.

Acknowledgments Introduction Part I: Defining Issues and Themes 1. Call That Censorship? Problems of Definition - Martin Cloonan 2. I Want My MP3: Who Owns Internet Music" - Reebee Garofalo 3. Twenty Years of Music Censorship Around the World - Vanessa Bastian and Dave Laing 4. Remote Control: Legal Censorship of the Creative Process - Steve Greenfield and Guy Osborn Part II: Controlling the Artistic 5. Death Metal and the Limits of Musical Expression - Keith Kahn-Harris 6. Marxists in the Marketplace - Mike Jones 7. Argh Fuck Kill--Canadian Hardcore Goes on Trial: The Case of the Dayglo Abortions - Rob Bowman 8. Strelnikoff: Censorship in Contemporary Slovenia - David Parvo Part III: Up Against the State 9. Music in the Struggle to End Apartheid: South Africa - Michael Drewett 10. Confusing Confucius: Rock in Contemporary China - Jeroen de Kloet (Holland) 11. German Nazi Bands: Between Provocation and Repression - Alenka Barber-Kersovan (Germany) 12. Popular Music and Policing in Brazil - Jose Roberto Zan (Brazil) 13. Challenging Music as Expression in the US - Paul D. Fischer (US) About the Contributors