Global London on screen presents a mélange of films by directors from the Global South and North, portraying everyday life to the more fantastical, odious, or extraordinary in terms of circumstances as captured cinematically in this superdiverse city. This book portrays a segment of such superdiversity by historicising and theorising various cinematic reproductions of London by filmmakers coming to this megacity from abroad. As visitors, cosmopolitans, or even migrant filmmakers, their treatment of London's zonal locations as both foreign and familiar is fascinating; their narratives and visualisations of London's spatial and architectural uniqueness is given a sojourners' touch; while other foreign filmmakers showcase and sometimes problematise London's socio-cultural globality and locality as both British and a city open (and sometimes closed off) to the world.

Introduction: Global London on screen: visitors, cosmopolitans and migratory cinematic visions of a superdiverse city - Keith B. Wagner1 'God is everywhere!': engineering the immigrant landscape of Emeric Pressburger's Miracle in Soho - Jingan MacPherson Young2 Dropping out: interiority, claustrophobia and decadence in cosmopolitan London cinema of the 1960s and 1970s - Kevin M. Flanagan3 On location in 1970s London: an interview with Gavrik Losey - Paul Newland4 Outside in: Twilight City and the birth of global London - Malini Guha5 'Where I come from, we eat places like this for breakfast': Aki Kaurismäki's I Hired a Contract Killer as transnational representation of local London - Claire MonkBollywood's London: the moral-political undertow of London's Hindi cinema presence - Shakuntala Banaji and Rahoul Masrani7 Brazucas on screen: the Brazilian diaspora in London as depicted in Henrique Goldman's Jean Charles - Stephanie Dennison8 A critical analysis of the Nollywood film Osuofia in London - Uchenna Onuzulike9 Poetics of double erasure: British East/South-East Asian cinema and Lilting - Victor Fan10 Global Hollywood and the London set piece - Lawrence Webb11 Performative liveness in Lost in London: cinematic streaming and the digital happening in globalising London - Michael A. Unger and Keith B. Wagner12 Borders and cosmopolitanism in the global city: London River - Ana Virginia López Fuentes13 Utopia as a cosmopolitan method in Alfonso Cuarón's Children of Men - Mónica MartínEpilogue: The rise of sourdough bread: The Street, gentrification and Brexit - Charlotte BrunsdonIndex