Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds - from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture.

Siren BeginningsSounding Out the SirensSiren Traces1. Prolegomena to the Sirens2. Eclipsing the Acousmatic: The Story of the Sirens3. Sonic Sleepwalkers: Sirens Myths from Homer, to Bach, to Nancy Sinatra4. Remembering the Forgotten Sounds of Air-Raid Sirens: Charlie Hebdo, Dresden and Beyond5. Urban Sirens: 9/11, Dizzee Rascal and Varese6. Timing the Sirens: Kurt Vonnegut Meets Theodor Adorno7. Siren Spaces: A Different Colonization?8. Hearing the Sirens: A Tale of Sonic Exclusivity?9. Sirens for the Young: From Fénelon to Disney 10. Kafka's Sirens and the Story of Silencing11. Sonic Aftermaths: Sirens and Stormy Daniels12. Sonic Fallibility: Kittler's SirensAfterword: Let's Sing Another Song Boys. This One Has Grown Old and Bitter (Leonard Cohen)NotesBibliographyIndex