In this probing look at Alfred Döblin's 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald-writers with radically different styles working in different historical moments-have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.

Acknowledgments Prologue Part I. Alfred Döblin's Berlin Alexanderplatz: Language as the Causality of Fate 1. Fatality: Character as Fate 2. Natural History 3. Döblin's Conception of the Modern Novel 4. The Language of Fate 5. Language as the Causality of Freedom 6. Paradise in Words: The Promise of Happiness Part II. Damals: The Melancholy Science of Memory in W. G. Sebald's Stories 1. Telling Stories: A Question of Transmissibility 2. Natural History: Becoming in Dissolution 3. Of Humans and Other Animals 4. As Time Goes By: Words from the Embers of Remembering 5. Stoicism, Skepticism, and the Unhappy Consciousness: Sebald's Phenomenology of Spirit 6. Beauty: Symbol of Morality in a Phenomenology of Spirit 7. On a Journey through Disenchantment Epilogue Notes Bibliography Index