Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts.* A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine* Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship* Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world* Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books

List of Contributors.List of Illustrations.Series Editor's Preface.Editor's Acknowledgments.Acknowledgments to Sources.Introduction: Remapping the Art of the Mediterranean.Part I: Late Antiquity: Converging Cultures, CompetingTraditions. Pagan, Jewish, Christian, and Sasanian Art.1. The Changing Nature of Roman Art and the Art-HistoricalProblem of Style: Jás Elsner.2. Good and Bad Images from the Synagogue of Dura Europos:Contexts, Subtexts, Intertexts: Annabel Jane Wharton.3. Exotic Taste: The Lure of Sasanian Persia: AnnaGonosová.4. Dionysiac Motifs: Richard Ettinghausen.Part II: Continuities: Tradition and Formation of CulturalIdentities.5. The Good Life: Henry Maguire.6. Hellenism and Islam: G. W. Bowersock.7. The Draped Universe of Islam: Lisa Golombek.Part III: Image and Word: Early Medieval, Byzantine, andIslamic Art.8. The Beginnings of Biblical Illustration: John Lowden.9 Sacred Image, Sacred Power: Gary Vikan.10. The Umayyad Dome of the Rock in Jerusalem: Oleg Grabar.11. The Image of the Word: Notes on the Religious Iconography ofIslam: Erica.Cruikshank Dodd.12. Islam, Iconoclasm, and the Declaration of Doctrine: G. R. D.King.Part IV: Local Syncretistic Traditions: Jews, Muslims, andChristians.13. Hebrew Book Illumination in the Fatimid Era: RachelMilstein.14. An Icon at Mt. Sinai and Christian Painting in Muslim Egyptduring the Thirteenth and Fourteenth Centuries: Robert S.Nelson.Part V: Luxury Arts and the Representation of theCourt.15. The Cup of San Marco and the "Classical" inByzantium: Ioli Kalavrezou.16. Images of the Court: Henry Maguire.17. But Is It Art?: Robin Cormack.Part VI: Expanding Boundaries: Spain, Sicily, Venice, andBeyond.18. Pathways of Portability: Islamic and Christian Interchangefrom the Tenth to the Twelfth Century: Eva R. Hoffman.19. Islam, Christianity, and the Problem of Religious Art:Jerrilyn D. Dodds.20. The Medieval Object-Enigma, and the Problem of the CappellaPalatina in Palermo: William Tronzo.21. Venice and Islam in the Middle Ages: Some Observations onthe Question of Architectural Influence: Deborah Howard.Index