As the first book-length study of waterborne festivities in Renaissance and early modern Europe, this collection of essays draws on a rich array of sources, many previously un-researched, to explore aspects of scenography, choreography, music, fashion, painting, sculpture, architecture, stage - and personnel - management and urban planning as evinced in spectacles staged on water. Often taking the form of re-enactments of naval battles or legendary seaborne quests, these festivals seek to buttress civic and national pride, make claims to mastery over the sea and landscape, and explore the imaginative as well as practical life of performance space which has been a hallmark of the research and publication of this volume's honorand, J.R. (Ronnie) Mulryne.

Contents: Introduction, Margaret Shewring; French Renaissance waterborne festivals in the 16th century, Richard Cooper; Lyon: a centre for water celebrations, Margaret M. McGowan; Parisian waterborne festivals form Francis I the Henri III, Monique Chatenet; Water festivals in the reign of Charles IX of France, R.J. Knecht; Renaissance Venice and the sacred-political connotations of waterborne pageants, Evelyn Korsch; Rex Christianissimus Francorum: themes and contexts of Henry III's entry to Venice, 1574, Iain Fenlon; Water policy and water festivals: the case of Pisa under Ferdinando de' Medici (1588-1609), Maria Ines Aliverti; Arbitrary reality: fact and fantasy in the Florentine Naumachia, 1589, J.R. Mulryne; Lepanto revisited: water-fights and the Turkish threat in early modern Europe (1571-1656), Marie-Claude Canova-Green; Mary, Queen of Scots' aquatic entertainments for the wedding of John Fleming, 5th Lord Fleming to Elizabeth Ross, May 1562, Pesala Bandara; Looking again at Elvetham: an Elizabethan entertainment revisited, H. Neville Davies; The ice festival in Florence, 1604, Mary M. Young; The Thames en fête, Sydney Anglo; Royal river: the Watermen's Company and pageantry on the Thames, Michael Holden; The ambassador's reception: the Moroccan embassy to London, 1637-1638 and the pageantry of maritime politics, Iain McClure; The Savoys' naumachia on the Lake Mont Cenis: a site-specific spectacle in the 'amphitheatre' of the Alps, Melanie Zefferino; Naumachiae at the Buen Retiro in Madrid, David Sánchez Cano; Waterfront entertainments in Saxony and Denmark from 1548-1709, Maria R. Wade; Sea spectacles on dry land: the 1580s to the 1690s, Roger Savage; Sing again, Sirena: translating the theatrical virtuosa from Venice to London, Eric Nicholson; Sailing towards a kingdom: Ernst August von Braunschweig-Lÿneburg (1629-1698) in Venice in 1685 and 1686, Helen Watanabe-O'Kelly; Index.