Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre examines the function of dramaturgy and the role the of dramaturg in making a theatre performance situated at the crossroads of multiple theatre forms and performative devices.

List of Figures Contributor Biographies Introduction: Dramaturgies of Self: Language, Authorship, Migration. Yana Meerzon, Katharina Pewny 1. Suppliant Guests: Hikesia and the Aporia of Asylum. Christopher Balme 2. We Are Who We Are Not: Language, Exile and Nostalgia for the Self. Dragan Todorovic SECTION ONE. ON MIGRATION AND SELF-TRANSLATION 3. Playing and Writing across Languages and Cultures. Ana Candida Carneiro 4. Acting as the Act of Translation: Domesticating and Foreignizing Strategies as Part of the Actor's Performance in the Irish-Polish Production of Bubble Revolution. Kasia Lech 5. Heteroglossia in Theatre of Engagement: The Case of Khasakkinte Ithihasa. Ameet Parameswaran 6. On Multiple Identities and the Glue that Holds us Together. Margareta Sorenson and Jonas Hassen Khemiri SECTION TWO. ON INTER AND INTRA-MULTILINGUALISM OF MIGRATION 7. On Multilinguality, Decolonization and Postmigrant Theatre: A Conversation between Azadeh Sharifi and Laura Paetau 8. Representing the Migrant Body and Performing Displacement: Contemporary Indian Feminist Interventionist Ecology. Indu Jain 9. Multilingual Dramaturgy and Staging Relevant Translations in Singapore. Alvin Eng Hui Lim SECTION THREE. ON DRAMTURGY OF GLOBALIZED, TRANSNATIONAL AND COSMOPOLITAN ENCOUNTERS 10. I am a War, My Voice is a Weapon: Language as Identity in Monodramas by South African Youth. Judith Rudakoff 11. Migration and the Performance of Colonial Obscenity: Jean-Luc Raharimanana's Construction of a Theatre Poetics. Alvina Ruprecht 12. From Chinese Local History to Another Memory: An Interview about Folk Memory Project's Workshop with African Refugees. Sun Weiwei 13. Resisting the Monolingual Lens: Queer Phenomenology and Stage Multilingualism. Art Babayants Index