Beschreibung:
Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.
1. Introduction; Pil HansenPART I: AGENCY2. Propensity: Pragmatics and Functions of Dramaturgy in Contemporary Dance; Bojana Bauer3. Errancy as Work: Seven Strewn Notes for Dance Dramaturgy; André Lepecki4. Thinking No-One's Thought; Maaike BleekerPART II: AWARENESS5. Distributed Dramaturgies: Navigating with Boundary Objects; Freya Vass-Rhee6. Improvisation Practices and Dramaturgical Consciousness: A workshop; Vida L. Midgelow7. The Dramaturgy of Performance Generating Systems; Pil HansenPART III: ENGAGEMENT8. Field Notes: In the Studio with Ralph Lemon and Donald Byrd; Katherine Profeta and Thomas F. DeFrantz9. Dance Dramaturgy as a Process of Learning: koosil-ja's mech[a]OUTPUT; Nanako Nakajima with performing koosil-ja10. Dance Presenting and Dramaturgy; Bonnie BrooksIndex