Beschreibung:
Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.
Acknowledgements Contents Foreword Introduction PART I: APPROACHES TO DIGITAL CULTURE A Conceptual History Mobile Affect Affective Networks PART II: CINEMATIC PERSPECTIVES Classical Hollywood's Mature Technology Stars and Avatars Film and Hybridity PART III: CONSORTING WITH THE MACHINE Machines of Celebrity Machines of Legal Subjectivity Machines of the Networked Assemblage Machines to Consort With Notes Bibliography Index