Studio Studies is an edited collection which explores and examines the studio as the principal site of aesthetic and material production, inextricably linked with - and a key feature of - contemporary forms of capitalism. The volume presents case studies addressing a wide range of sociocultural practices that are dependent on the studio as the setting for bringing tangible and immaterial cultural objects into being.

Introduction 1. Studio Studies: Notes for a research program, Ignacio Farías & Alex Wilkie Part 1: Operations 2. The Design Studio as a Centre of Synthesis, Alex Wilkie & Mike Michael 3. Bringing the World into the Creative Studio: The 'reference' as an advertising device, Tomás Ariztía 4. From the Squid's Point of View: Mountable cameras, flexible studios and the perspectivist turn, Emmanuel Grimaud Interview 5. For a Sociology of Maquettes: An interview with Antoine Hennion, Antoine Hennion & Ignacio Farías Part 2: Topologies 6. Theorizing Studio Space: Spheres and atmospheres in a video game design studio, James Ash 7. Inter- to Intracorporeality: The haptic hotshop heat of a glassblowing studio, Erin O'Connor 8. Architecture in the Wild: The studio overflowed, Sophie Houdart Interview 9. Temporalities, aesthetics and the studio: an interview with Georgina Born, Georgina Born & Alex Wilkie Part 3: Displacements 10. Rediscovering Daphne Oram's Sound-House: The home-studio as domestic experiment, Laurie Waller 11. The Studio in the Firm: A study of four artistic intervention residencies, Ariane Berthoin Antal 12. Studio Operations: Manipulation, storage and hunting in desert landscapes, Ignacio Farías Afterword 13. Afterword - Studio Studies: Scenarios, supplements, scope, Mike Michael