Beschreibung:
Arguing that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic, Jason Marc Harris demonstrates that a negotiation with folklore was central to the canon of British literature. He uncovers the ideological agendas articulated using folkloric elements in works by James Barrie, William Carleton, James Hogg, Sheridan Le Fanu, George MacDonald and Robert Louis Stevenson, among others, and reveals the rhetorical strategies for applying superstition in both folkloric and literary contexts of the supernatural.
Preface; Acknowledgments; Chapter 1 An Introduction to Folklore and the Fantastic in Nineteenth-Century British Literature; Chapter 2 Victorian Literary Fairy Tales: Their Folklore and Function; Chapter 3 Victorian Fairy-Tale Fantasies: MacDonald's Fairyland and Barrie's Neverland; Chapter 4 MacDonald's; Lilith; and; Phantastes; : In Pursuit of the Soul in Fairyland; Chapter 5 James Hogg's Use of Legend: Folk Metaphysics and Narrative Authority; Chapter 6 Ghosts, "Grand Ladies," "The Gentry," and "Good Neighbors": Folkloric Representations of the Spirit World's Intersection with Class and Racial Tensions in Le Fanu; Chapter 7 Robert Louis Stevenson: Folklore and Imperialism; Chapter 8 William Carleton and William Sharp: The Celtic Renaissance and Fantastic Folklore; Chapter 9 Conclusion: Second Sight;