South African Essays on 'Universal' Shakespeare collects new scholarship and extant (but previously unpublished) material, reflecting the changing nature of Shakespeare studies across various 'generation gaps'. Each essay, in exploring the nuances of Shakespearean production and reception across time and space, is inflected by a South African connection. In some cases, this is simply because of the author's nationality or institutional affiliation; in others, there is a direct engagement with what Shakespeare means, or has meant, in South Africa. By investigating the universality of Shakespeare from both implicitly and explicitly 'southern' perspectives, the book presents new possibilities for considering (and reassessing) shifting manifestations of Shakespeare's work in major Shakespearean 'centres' such as Britain and the United States, as well as across the global North and South.

Introduction Generation S: 'Southern' Shakespeares across Time and Space, Chris Thurman; Part 1 'Universal' Will; Chapter 1 On Being Human, Natasha Distiller; Chapter 2 Shakespeare without Borders, Sandra Young; Chapter 3 Â'Many in OneÂ': On Shakespeare, Language and Translation, Pier Paolo Frassinelli; Part 2 Shakespeare, Mediated; Chapter 4 Foxe and the Fat Man, Shakespeare and the Jesuit: Oldcastle Revisited, Victor Houliston; Chapter 5 Â'I, that am not shaped for sportive tricksÂ': Playing with Richard III, Chris Thurman; Chapter 6 Traditions of English Criticism: ShakespeareÂ's Late Plays in the Early Twentieth Century, Brian Pearce; Part 3 Butler's Shakespeare Reconsidered; Chapter 7, Guy Butler; Chapter 8, Guy Butler; Chapter 9 Butler's Lear, Laurence Wright;