Class, Crime and International Film Noir
Globalizing America's Dark Art
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ISBN-13:
9781137290137
Veröffentl:
2014
Erscheinungsdatum:
09.04.2014
Seiten:
233
Autor:
D. Broe
Gewicht:
476 g
Format:
218x140x20 mm
Sprache:
Englisch
Beschreibung:
Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.
List of Figures Foreword Preface: On Symbolic Misery and Its Attenuation (And the Crime Film) Acknowledgements Introduction: Global Fugitives: Outside the Law and the Cold War 'Consensus' 1. Un greve, sanglant et poetic (A Strike, Bloody and Poetic): French Film Noir and the Defeat of the Popular Front 2. The Revolution That Wasn't: Black Markets, Ressentiment, and Survival in Postwar British Film Noir 3. The Wintering of the Italian Spring: From Neorealism to Film Noir via Verdi 4. Occupy the Zaibatsu: Postwar Japanese Film Noir: From Democracy to the (Re)Appearance of the (Old) New Order Conclusion: Mediterranean Noir: Sunlight Gleaming Off a Battered .45 Appendix Bibliography Endnotes Index?
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