The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves. This title available in eBook format. Click here for more information.Visit our eBookstore at: ebookstore.tandf.co.uk.

Introduction; Part 1 Original Poetry, by Victor and Cazire; Chapter 1 Unsigned review, The Literary Panorama; Chapter 2 Unsigned notice, The British Critic; Chapter 3 Unsigned notice, under 'Criticisms 1811,' The Poetical Register and Repository of Fugitive Poetry for 1810-1811; Part 2 Zastrozzi, a Romance; Chapter 4 Unsigned notice, The Gentleman's Magazine and Historical Chronicle; Chapter 5 Unsigned, review, The Critical Review and Annals of Literature; Part 3 St. Irvyne: or The Rosicrucian; Chapter 6 Unsigned notice, The British Critic; Chapter 7 Unsigned review, The Anti-Jacobin Review and Magazine; Chapter 8 Unsigned letter, The Anti-Jacobin Review and Magazine; Part 4 The Necessity of Atheism and a Declaration of Rights; Chapter 9 Robert Southey, from a letter to Grosvenor Bedford; Chapter 10 Unsigned review, The Brighton Magazine; Part 5 Queen Mab; Chapter 11 Review signed 'F.,' The Theological Inquirer, or Polemical Magazine; Chapter 12 Unsigned review, John Bull's British Journal; Chapter 13 Unsigned review, The London Magazine and Theatrical Inquisitor; Chapter 14 Unsigned review, The Literary Gazette and Journal of Belles Lettres; Chapter 15 Unsigned notice, The Monthly Magazine and British Register; Chapter 16 Unsigned notice, The Literary Chronicle and Weekly Review; Chapter 17 Richard Carlile, review, The Republican; Chapter 18 William Bengo Collyer, from a review of Queen Mab in 'Licentious Productions in High Life,' The Investigator, or Quarterly Magazine; Chapter 19 Henry Crabb Robinson, diary entry; Part 6 Alastor; or The Spirit of Solitude: and other poems; Chapter 20 Unsigned notice, The Monthly Review, or Literary Journal; Chapter 21 Unsigned review, The British Critic; Chapter 22 Unsigned review, The Eclectic Review; Chapter 23 Leigh Hunt on Shelley in 'Young Poets,' The Examiner; Chapter 24 John Gibson Lockhart, review, Blackwood's Edinburgh Magazine; Part 7 The Revolt of Islam; Chapter 25 Leigh Hunt, The Examiner; Chapter 26 John Gibson Lockhart, unsigned review, Blackwood's Edinburgh Magazine; Chapter 27 Unsigned review, The Monthly Review; Chapter 28 John Taylor Coleridge, review, The Quarterly Review; Chapter 29 Leigh Hunt, 'The Quarterly Review and The Revolt of Islam', The Examiner; Part 8 Rosalind and Helen; Chapter 30 Leigh Hunt, review, The Examiner; Chapter 31 Unsigned review, The Commercial Chronicle; Chapter 32 John Wilson, review, Blackwood's Edinburgh Magazine; Chapter 33 Unsigned review, The Monthly Review, or Literary Journal; Part 9 The Cenci; Chapter 34 Unsigned notice, The Monthly Magazine, or British Register; Chapter 35 Unsigned review, The Literary Gazette, and Journal of Belles Lettres, Arts, Sciences; Chapter 36 Unsigned review, The London Magazine and Monthly Critical and Dramatic Review; Chapter 37 Review signed 'B.,' The Theatrical Inquisitor and Monthly Mirror; Chapter 38 Unsigned review, The New Monthly Magazine and Universal Register; Chapter 39 Unsigned review, The Edinburgh Monthly Review; Chapter 40 Unsigned review, The London Magazine; Chapter 41 Leigh Hunt, review, The Indicator; Chapter 42 John Keats, letter; Chapter 43 Unsigned review, The Monthly Review; Chapter 44 Unsigned review, The Independent, a London Literary and Political Review; Chapter 45 Unsigned review, The British Review and London Critical Journal; Chapter 46 Henry Crabb Robinson, diary entries; Chapter 47 James Russell Lowell, 'The Imagination,' The Function of the Poet; Part 10 Prometheus Unbound; Chapter 48 Extract, unsigned review, The London Magazine, under 'Literary and Scientific Intelligence'; Chapter 49 Unsigned review, The Literary Gazette, and journal of the Belles Lettres; Chapter 50 John Gibson Lockhart, review, Blackwood's Edinburgh Magazine; Chapter 51 Unsigned review, The London Magazine and Monthly Critical and Dramatic Review; Chapter 52 Unsigned review, The Lonsdale Magazine or Provincial Repository; Chapter 53 Unsigned review, The Monthly Review and British Register; Chapter 54 W. S. Walker, review, The Quarterly Review; Chapter 55 Henry Crabb Robinson, diary entry; Chapter 56 Henry Crabb Robinson, diary entries; Chapter 57 James Russell Lowell, extract from review of The Life and Letters of James Gates Percival, North American Review; Part 11 General Comment and Opinions in 1820 and 1821; Chapter 58 Extract from unsigned 'Portraits of the Metropolitan Poets, No. III, Mr. Percy Byshe, sic] Shelley,' in The Honeycomb; Chapter 59 Lord Byron, from a letter to Richard Belgrave Hoppner; Chapter 60 Unsigned article, 'Critical Remarks on Shelley's Poetry'; Chapter 61 Extract from unsigned article, 'On the Philosophy and Poetry of Shelley'; Chapter 62 Lord Byron, in conversation to P. B. Shelley; Chapter 63 William Hazlitt, from 'On Paradox and Commonplace' in Table Talk; Chapter 64 Notice signed 'J. W.,' The Champion; Part 12 'Epipsychidion,' 'Adonais', 'Hellas,' and General Comment From; Chapter 65 'Seraphina and Her Sister Clementina's Review of Epipsychidion,' The Gossip; Chapter 66 Unsigned review, The Literary Chronicle and Weekly Review; Chapter 67 Unsigned review, The Literary Gazette and Journal of Belles Lettres; Chapter 68 Unsigned review, 'Remarks on Shelley's Adonais,' Blackwood's Edinburgh Magazine; Chapter 69 Leigh Hunt, 'Letters to the Readers of the Examiner, No. 6-On Mr. Shelley's New Poem, Entitled Adonais'; Chapter 70 Unsigned review, The General Weekly Register of News, Literature, Law, Politics, and Commerce; Chapter 71 Leigh Hunt, The Examiner; Chapter 72 Extract from an anonymous article, 'The Augustan Age in England'; Chapter 73 Bernard Barton, letter to Robert Southey; Chapter 74 Bernard Barton, letter to William Pearson; Chapter 75 Robert Southey, letter to Bernard Barton; Chapter 76 William Hazlitt, extract from 'Preface and Critical List of Authors' in Select British Poets; Part 13 Posthumous Poems 1824; Chapter 77 William Hazlitt, review of Shelley's Posthumous Poems; Chapter 78 Charles Lamb, letter to Bernard Barton; Chapter 79 Henry Crabb Robinson, diary entry; Chapter 80 Unsigned notice, 'Criticism: Percy Bysshe Shelley,' New York Literary Gazette and Phi Beta Kappa Repository; Chapter 81 Article signed 'P. P.,' Philadelphia Monthly Magazine; Chapter 82 William Hazlitt, extract from 'Poetry' in The Atlas; Chapter 83 Thomas Moore, from a letter to Mary Shelley; Chapter 84 Coleridge, letter to John E. Reade; Chapter 85 Samuel Taylor Coleridge, conversation with John Frere; Chapter 86 Review signed 'Egeria,' 'Character and Writings of Shelley'; Chapter 87 Unsigned review, extracts from 'The Shelley Papers'; Chapter 88 Margaret Fuller Ossoli, extract from memoir, entry under 'Literature'; Chapter 89 Robert Southey, extract from letter to John E. Reade; Part 14 Reassessments and Reconsiderations After 1840; Chapter 90 Ralph Waldo Emerson, from a letter to Margaret Fuller Ossoli; Chapter 91 Ralph Waldo Emerson, from a letter to Margaret Fuller Ossoli; Chapter 92 Henry T. Tuckerman, extracts from 'Shelley,' Southern Literary Messenger; Chapter 93 Henry Crabb Robinson, diary entries; Chapter 94 Orestes Brownson, extracts from 'Shelley's Poetical Works,' Boston Quarterly Review; Chapter 95 Ralph Waldo Emerson, journal entry; Chapter 96 Parke Godwin, 'Percy Bysshe Shelley,' United States Magazine and Democratic Review; Chapter 97 T. H. Chivers, 'Shelley,' Southern Literary Messenger; Chapter 98 Margaret Fuller Ossoli, 'Shelley's Poems'; Chapter 99 Nathaniel Hawthorne, from 'Earth's Holocaust,' Mosses from an Old Manse; Chapter 100 Nathaniel Hawthorne, from 'P's Correspondence,' Mosses from an Old Manse; Chapter 101 Margaret Fuller Ossoli, extract from 'Modern British Poets,' Papers on Literature and Art; Chapter 102 Henry Crabb Robinson, diary entry; Chapter 103 Ralph Waldo Emerson, from a letter to James Hutchison Stirling;