Campbell, Vidal and their contributors expand the notion of translation beyond linguistic, modal and medial borders to embrace posthumanist perspectives through a holistic experiential epistemology which envisions translation as engaged, situated social practice.

Introduction: Materiality and play as affective and embodied means of (un)knowing Section 1: Material Exchanges 1. Experientiality of Meaning in Interlingual Translation: The Impossibility of Representation and the Illusion of Transfer 2. Experiencing Performance and Performing Experience: Translation, Fragmentation, and Composition on Stage, in Theory and in Practice 3. Translating 'Our World' through Sound: Domestication, Anthropomorphism and Incantation Section 2: Acts and Breakages 4. The Productive Embrace of Uncertainty: Asemic Writing, Drawing, Translation 5. Translating 'The Stone Breakers' by Una Marson: A Bridging Linguistic Experience 6. Collaborative Translation of a Multilayered Work of Electronic Literature: Synthetizing Michael Joyce's Afternoon, A story Section 3: Ateliers 7. Experimentation and Experience: The Artistic Translation of a Myriad of Languages 8. Translating from Music: The Soundscapes Course and its Theoretical and Practical Outcomes 9. (Re)discovering (Legal) Translation through the Experiential: Towards Empowering Intersemiotic Pedagogies based on Experimentation, Creativity and Play Afterword