Beschreibung:
Explores film music's role in the concert repertoire, highlighting how the Boston Pops under John Williams pioneered its inclusion.
1. Introduction; 2. Film Music And Aesthetic Prejudice; 3. Film Music, From The Screens To The Concert Stages; 4. The Boston Pops And Popular Music; 5. The Boston Pops And Film Music; 6. The Popsgate Of '84; 7. The Boston Pops And Multimedia; 8. Film Music After Williams's Tenure; 9. Closing Remarks.