Dark Borders: Film Noir and American Citizenship

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Illustrations; Acknowledgments Introduction: The Un-Americanness of Film Noir; 1. Gestapo in America (Confessions of a Nazi Spy and Stranger on the Third Floor); 2. White-Collar Murder (Double Indemnity); 3. Cuba, Gangsters, Vets, and Other Outcasts of the Islands (The Chase and Key Largo); 4. North from Mexico (Border Incident, Hold Back the Dawn, Secret Beyond the Door, and Out of the Past); 5. Bad Boy Patriots (This Gun for Hire, Ride the Pink Horse, Pickup on South Street) Postscript: Darkness Visible; Notes; Bibliography; Index
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Connects anxieties about citizenship and national belonging in midcentury America to the sense of alienation conveyed by American film noir
Autor: Jonathan Auerbach
Jonathan Auerbach is Professor of English at the University of Maryland, College Park. He is the author of "Body Shots: Early Cinema's Incarnations"; "Male Call: Becoming Jack London," also published by Duke University Press; and "The Romance of Failure: First-Person Fictions of Poe, Hawthorne, and James."

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Autor: Jonathan Auerbach
ISBN-13 :: 9780822349938
ISBN: 0822349930
Erscheinungsjahr: 01.03.2011
Verlag: DUKE UNIV PR
Gewicht: 567g
Seiten: 268
Sprache: Englisch
Sonstiges: Buch, 231x160x23 mm
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