The One and the Many

Contemporary Collaborative Art in a Global Context
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Introduction 1. The Semantics of Collaboration; 2. Art Practice and the Intellectual Baroque Chapter One. Autonomy, Antagonism, and the Aesthetic 1. From Text to Action; 2. Park Fiction, Ala Plastica, and Dialogue; 3. The Risk of Diversity; 4. Programmatic Multiplicity; 5. Art Theory and the Post-structuralist Canon Chapter Two. The Genius of the Place 1. Lessons in Futility; 2. Enclosure Acts; 3. The Twelfth Seat and the Mirrored Ceiling; 4. The Atelier as Workshop; 5. Labor, Praxis, and Representation; 6. The Divided and Incomplete Subject of Yesterday; 7. Memories of Development; 8. The Limits of Ethical Capitalism; 9. The Art of the Locality Chapter Three. Eminent Domain: Art and Urban Space 1. Blindness and Insight; 2. The Invention of the Public; 3. The Boulevards of the Inner City; 4. Park Fiction: Desire, Resistance, and Complicity; 5. A Culture of Needles: Project Row Houses in Houston Notes; References; Index
Examines questions of agency, artisanship, and identity in relation to collaborative art practice.
Autor: Grant H. Kester
Grant H. Kester is Professor of Art History and Chair of Visual Arts at the University of California, San Diego. He is the author of "Conversation Pieces: Community and Communication in Modern Art" and the editor of "Art, Activism, and Oppositionality: Essays from "Afterimage, also published by Duke University Press.

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Autor: Grant H. Kester
ISBN-13 :: 9780822349877
ISBN: 0822349876
Erscheinungsjahr: 12.09.2011
Verlag: Duke University Press
Gewicht: 462g
Seiten: 320
Sprache: Englisch
Sonstiges: Taschenbuch, 152x235x20 mm, 29 illustrations, incl. 15 in color, 1 table
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