Beschreibung:
A study of caipira, Brazil's most indigenous country music, and the commodification of the rural in Brazilian popular culture.
Preface ixAcknowledgments xiIntroduction: Rural Music, Intimacy, and Memory 11. What Counts as "Country"? Rural Performativity in the Twentieth Century 292. Country Brothers: Kinship as Chronotope 573. Mixture, Sadness, and Intimacy in the Brazilian Music Field 834. Hick Dialogics: Experiencing the Play of Rural Genres 1085. Teleologies of Rural Disappearance: Interpreting Rural Music 1366. Digital Droplets and Analogue Flames: The Circulatory Matrices of Brazilian Country 1627. Producing Rural Locality 1868. Hicks of the World: The Country Cosmopolitan 211Conclusion: Postauthoritarian Memory and Rurality 239Notes 251Discography 267Bibliography 269Index 285