Taking into account the popularity and variety of the genre, this collaborative volume considers a wide range of English Romantic autobiographical writers and modes, including working-class autobiography, the familiar essay, and the staged presence. Major writers such as William Wordsworth, De Quincey, and Mary Shelley, and recent additions to the canon such as Mary Robinson, Dorothy Wordsworth, and Mary Hays are treated in this exploratory mapping of the field.

General Editors¿ Preface, Eugene Stelzig; Chapter 1 Introduction, Eugene Stelzig; Part 1 The Variety of Women¿s Life Writing; Chapter 2 ¿My Heart Dissolved in What I Saw¿: Displacement of the Autobiographical Self in Dorothy Wordsworth and Gertrude Stein, Kari Lokke; Chapter 3 The Gothic Structure of Mary Robinson¿s Memoirs, Sharon M. Setzer; Chapter 4 Vice, Ugly Vice: Memoirs of Mrs Billington from her Birth, Susan Levin; Chapter 5 Writing Lives and Gendering History in Mary Hays¿s FemaleScreen Memories and Fictionalized Autobiography: Mary Shelley¿s Mathilda and ¿The Mourner¿ Fiction and Autobiographical Theories, Diane Long Hoeveler; Part 2 Male Self-Fashioning; Chapter 7 Wordsworth¿s Cliff-Hanger, Joshua Wilner; Chapter 8 De Quincey as Autobiographer, Frederick Burwick; Chapter 9 The Friend of Keats: The Reinvention of Joseph Severn, Sue Brown; Part 3 Genres and Modes; Chapter 10 ¿I am not what I am¿: Staged Presence in Romantic Autobiography, Stephen C. Behrendt; Chapter 11 Ned Ludd and Laboring-Class Autobiography, Kevin Binfield; Chapter 12 Wordsworth and the Ragged Legion; Or, The Lows of High Argument, Jasper Cragwall; Chapter 13 The Intimate Familiar: Essay as Autobiography in Romanticism, Christine Chaney;