Beschreibung:
Examines the origins of 'tectonics' as concept and ideal in early Modern architecture.
Preface; Introduction; 1. The opposite of the issue of style: necessity, unity, immanent coherence, the naked, simple and true; 2. 'Tectonics' and the 'theory of raiment'; 3. Disenchantment with 'Bötticher's overly intellectual work' and the postulation of a way to overcome the 'Semperian mechanistic conception of the essence of art'; 4. 'Stilhülse und Kern': from theory to metaphor - and its deployment by Otto Wagner; 5. Adolf Loos - against the Zeitgeist; 6. '¿ ad usum Delphini' - the 'element event' of the Raiment Dissolved, and the ineluctable return - or recognized tenacity - of the Hull; Anthology of primary sources.