Beschreibung:
Shows how the writing of Renaissance drama was conceptualised in the language of eroticism.
Introduction; 1. Seeing double: collaboration and the interpretation of Renaissance drama; 2. Between gentlemen: homoeroticism, collaboration, and the discourse of friendship; 3. Representing authority: patriarchalism, absolutism, and the author on stage; 4. Reproducing works: dramatic quartos and folios in the seventeenth century; 5. Mistris Corrivall: Margaret Cavendish's dramatic production; Notes; Bibliography; Index.