Offering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema.

Introduction: Situating Lusophone African Cinema ; 1. Lusophone African Cinema as World-Cinema ; 2. Lusophone Filmmaking in the realm of transnational African cinemas: from 'global ethnic' to 'global aesthetic' ; 3. Sounds of Liberation: Sarah Maldoror's Sambizanga (1972) and Miguel Gomes' Tabu (2012) ; 4. Resistance and Political Awareness Through the Eye-Camera of Sarah Maldoror ; 5. The eleventh island: Cape Verde, the moving images and its diaspora ; 6. Postcolonial Testimony and the ruins of empire ; 7. In the Name of the Rosa: The Ethnographic Reflex in the Cinema of Licínio Azevedo ; 8. From the tabanca to Bissau, from Bissau to the Diaspora: Social Narratives in the Bissau-Guinean Popular Cinema ; 9. The Representation of Ritual and Cinema as a Ritual in Revolutionary Mozambique: Ruy Guerra's 'Mueda, Memória e Massacre' ; 10. A melancholic outlook on 40 years of lusophone audio-visual production and Guinea, the two faces of the war as case study ; 11. 'We need to dress ourselves in the black light': an authorial analysis of Lusophone African cinema - Flora Gomes's case ; 12. Pedro Pimenta, in Interview with Livia Apa