This collection approaches the task of accounting for the networked image from the perspective of cultural practitioners engaged in making, curating, teaching, exhibiting, archiving, and preserving born digital objects.

Introduction Part One: The condition of the networked image 1. The politics of the networked image: representation and reproduction 2. The networked image after Web 2.0: Flickr and the 'real-world' photography of the dataset 3. Post-capitalist photography Part Two: Computation, software, learning 4. The computer vision lab: the epistemic configuration of machine vision 5. Ways of machine seeing as a problem of invisual literacy 6, Soft subjects: hybrid labour in media software Part Three: Curating the networked image 7. The paradoxes of curating the networked image: aesthetic currents, flows and flaws 8. Internet liveness and the art museum 9. Screenshot situations: imaginary realities of networked images Part Four: Digitisation and the reconfiguration of the archive 10. Networks of care 11. Beyond the screenshot: interface design and data protocols in the net art archive