The creative collaborations of engineers, artists, scientists, and curators over the past fifty years.Artwork as opposed to experiment? Engineer versus artist? We often see two different cultural realms separated by impervious walls. But some fifty years ago, the borders between technology and art began to be breached. In this book, W. Patrick McCray shows how in this era, artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works. This art emerged from corporate laboratories, artists' studios, publishing houses, art galleries, and university campuses. Many of the biggest stars of the art world--Robert Rauschenberg, Yvonne Rainer, Andy Warhol, Carolee Schneemann, and John Cage--participated, but the technologists who contributed essential expertise and aesthetic input often went unrecognized.

AcknowledgmentsIntroduction: Schematics1 Preamplifier2 Fluxes3 Heterodyne4 Powering Up5 Transducer6 Surges7 Parallel Processing8 Overload9 AmplitudesConclusion: Waves, Loops, and BubblesNotes on SourcesNotesIndex