Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas.

Introduction, by Suzanne Crosta, Sada Niang, and Alexie Tcheuyap1. Documenting the Unseemly: Moroccan Women's Documentaries in the 2000s, by Florence Martin2. Outsiders on the Inside: Rokhaya Diallo's Les marches de la liberté as Activist Documentary, by Sheila Petty3. Challenging Documentary Practice: A Return to Safi Faye's Kaddu Beykat, by Melissa Thackway4. Revisiting the "Domestic Ethnography" Approach in Khady Sylla's Une Fenêtre ouverte, by El Hadji Moustapha Diop5. Tales of Colonels: Auteurship and Authority in Mama Colonel (2017) and This is Congo (2017), by Alexie Tcheuyap and Felix Veilleux6. Authorizing Reality in Leila Kilani's Our Forbidden Places (2008) and Kaouther Ben Hania's The Slasher of Tunis (2014), by Suzanne Gauch7. Documenting Tyranny: The Politics of Memory in Leila Kilani and Osvalde Lewat, by Herve Tchumkam8. Ecological Representations in African Women Documentaries, by Suzanne Crosta9. Looping the Loop: Rama Thiaw's The Revolution Won't Be Televised (2016), by Sada Niang10. Dancing with the Camera: Interview with Nadine Otsobogo, by Suzanne Crosta, Sada Niang, and Alexie TcheuyapIndex