What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society's fear of the "others" that threaten the "normal." The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film's depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across "normal" self and "monstrous" other. This "transformative otherness" confronts viewers with the other's experience-and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror's significance for culture, politics, and art.

List of IllustrationsAcknowledgmentsIntroduction. Situating Horror and Otherness: Tree of Life, Night of the Living Dead, PittsburghPart I: Transforming Horror and Otherness1. A Reintroduction to the American Horror Film: Revisiting Robin Wood and 1970s Horror2. The Surrealism of Horror's Otherness: Listening to The ShoutPart II: Transforming the Masters of Horror3. Nightmare Zone: Aging as Otherness in the Cinema of Tobe Hooper4. The Trauma of Economic Otherness: Horror in George A. Romero's Martin5. Therapeutic Disintegration: Jewish Otherness in the Cinema of David CronenbergPart III: Transforming Horror's Other Voices6. Gendered Otherness: Feminine Horror and Surrealism in Marina de Van, Stephanie Rothman, and Jennifer Kent7. Racial Otherness: Horror's Black/Jewish Minority Vocabulary, from Jordan Peele to Ira Levin and Curt SiodmakAfterword. Horror and Otherness in Anguished TimesNotesBibliographyIndex