The concept of revolution marks the ultimate horizon of modern politics. It is instantiated by sites of both hope and horror. Within progressive thought, "revolution" often perpetuates entrenched philosophical problems: a teleological philosophy of history, economic reductionism, and normative paternalism. At a time of resurgent uprisings, how can revolution be reconceptualized to grasp the dynamics of social transformation and disentangle revolutionary practice from authoritarian usurpation?Eva von Redecker reconsiders critical theory's understanding of radical change in order to offer a bold new account of how revolution occurs. She argues that revolutions are not singular events but extended processes: beginning from the interstices of society, they succeed by gradually rearticulating social structures toward a new paradigm. Developing a theoretical account of social transformation, Praxis and Revolution incorporates a wide range of insights, from the Frankfurt School to queer theory and intersectionality. Its revised materialism furnishes prefigurative politics with their social conditions and performative critique with its collective force.Von Redecker revisits the French Revolution to show how change arises from struggle in everyday social practice. She illustrates the argument through rich literary examples-a ménage à trois inside a prison, a radical knitting circle, a queer affinity group, and petitioners pleading with the executioner-that forge a feminist, open-ended model of revolution.Praxis and Revolution urges readers not only to understand revolutions differently but also to situate them elsewhere: in collective contexts that aim to storm manifold Bastilles-but from within.

Preface to the American EditionPreface to the German EditionIntroduction: "It Is a Revolution"Part I: Maria's Ménage and the Transience of Heterotopian Praxis1. The Rules of Praxis2. The Materiality of Praxis3. The Connections Between PracticesPart II: Jacobin Knitters and the Tracks of Structuration4. The Duality of Social Structures5. Recognition and Performative Structuration6. Structures in Three States of AggregatePart III: Marta's Invisible Affinity Group and Interstitial Upheavals7. Disaggregation: Performative Critique and the Laughter of Mimesis8. Constitution: Subcollective Association9. Contamination: Overlaying StructuresPart IV: The Execution of the Marquise and Metaleptic Paradigm Shifts10. Paradigm Shifts as a Gradual Replacement of Anchoring Practices11. The Revolutionary Emergence of the Concept of Revolution12. Metaleptic DynamicsConclusion: "The difficulties of the plains" and the Revolutionary TraditionNotesBibliographyIndex