Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.

List of Illustrations Notes on Contributors Acknowledgements List of Abbreviations Introduction; J.Whittaker , S.Clark & T.Connolly PART I: BLAKEAN CIRCULATIONS Mirrored Text / Infinite Planes: Reception Aesthetics in Blake's Milton; M.Lussier 'Rouze up, O Young Men of the New Age!': William Blake, Theodore Roszak, and the Counter Culture of the 1960s-70s; P.Otto Digital Blake 2.0; R.Whitson 'Rob & Plunder... Translate & Copy & Buy & Sell & Criticise, but not Make': Blake and Copyright Today; S.Dent 'New matter': Mona Wilson's The Life of William Blake 85 Years On; A.Whitehead PART II: BLAKE AND VISUAL ART Celebration and Censure: William Blake and Stories of Masterliness in the British Art World, 1930-1959; C.Trodd Blake and Surrealism; M.Sung 'The Sculptor Silent Stands before His Forming Image': Blake and Contemporary Sculpture; M.Crosby 'Mental Joy & Mental Health / And Mental Friends & Mental Wealth': Blake and Art Therapy; P.Simpson PART III: BLAKE IN FILM AND GRAPHIC ARTS 'And did those feet?': Blake and the Role of the Artist in Post-War Britain; S.Matthews Film in a Time of Crisis: Blake, Dead Man, The New Math(s), and Last Days; M.Douglas 'The end of the world. That's a bad thing right?': Form and Function from William Blake to Alan Moore; M.J.A.Green PART V: BLAKE IN MUSIC Blake Set to Music; K.Davies 'Only the wings on his heels': Blake and Dylan; S.Clark & J.Keery 'He Took a Face from the Ancient Gallery': Blake and Jim Morrison; T.Connolly 'Hear the Drunken Archangel Sing': Blakean Notes in 1990s Pop Music; D.Fallon 'Mental Fight', 'Corporeal War', and Righteous Dub: The Struggle for 'Jerusalem', 1979-2009; J.Whittaker Works Cited Index