The idea of American musical theatre often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theatre in U.S. culture, and examines it as a social practice--a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans continue to passionately engage in a century-old artistic practice that requires intense, person-to-person collaboration? And why do audiences still flock to musicals in their hometowns? Touring American elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres from California to Tennessee, Wolf illustrates musical theatre's abundance and longevity in the U.S. as a thriving social activity that touches millions of lives.

IntroductionChapter 1: The Junior Theatre Festival and Broadway JuniorChapter 2: Backstage DivasChapter 3: High School Musicals and Into the WoodsChapter 4: Community TheatreChapter 5: The Sound of Music at Outdoor Summer Musical TheatresChapter 6: Girls' Jewish Summer Camps in MaineChapter 7: Disney Goes to SchoolChapter 8: Dinner Theatres in Colorado: A Road TripEpilogueAcknowledgmentsSelected BibliographyIndex