SHORT-LISTED FOR THE FELIX DENNIS BEST FIRST COLLECTION PRIZE (FORWARD PRIZES FOR POETRY 2007) Bridging the divide between experimental, performance and traditional poetries the poems in Andraste's Hair draw on myth, memory, folksong and murder ballad. Often set in a mythical Liverpool, a city of metamorphosis and magic, grotesque and beautiful, its buildings are a backdrop for visions and apprehensions of the past. Liverpool at night is a place where boundaries are crossed in search of knowledge, sexual, historical, and emotional - between life and death. Natural and urban landscapes - woodland, city park, dock, terraced street, the river, provide settings for an exploration of the conflict between instinctive and cultured knowledge, between abstract thought and felt experience. The poems are active and forceful - looking for answers they never find. Realities are established and than subverted. Women become trees, cities become men, roads become rivers, night becomes dawn, and the world is constantly transformed, constantly in flux. Collaborative processes inform the structure of many poems; fusion and the loss of self are preoccupying themes. The poetic voice is remade to articulate what has been discovered in the act of writing. Sometimes erotic, sometimes fierce, sometimes vulnerable the poems fuse a musical sense of language with a grounded vision of the world.

Night Vision Roadworks A Red Moon Night River Seams of Dust The Clock Tower Headlights Parkland Andraste's Hair The Fair Or snow Mermaid Working the Land Olwyn's Valley July Body Castle Hill Tell me something of this Wolf Sky God Thunder August Flood Winter Dawn Rain-naked Circle On shore A Nocturnal Opera